Відео

I would be great to compare this photograph with Lightroom's grain amount cursor.

Hello. Absolutely love your content. You two have helped my photography no end…. I have an idea, for a lot of us who are still new to the profession. Would you be interested in Peter doing a video explaining terminology and what they mean? I think it would help a lot when watching videos and listening to Peter justice settings. Just an idea. Keep up the great work cheers.

Great, it's a win when the photographer doesn't have to constantly guide the model into poses. You only need to have your finger ready on the trigger, check the composition and wait for the right shot. Great job Peter, awesome model. Bec is beautiful as always.

"the boob shit" but don't worry guys it was named by a model so it's okay, we don't have to shit on men as we usually do 😂🤣🤣😢

I so wish ACR had the better curve behavior of Phocus.

Very interesting to watch the differences made from one modifier to the next, especially adding the small central diffuser! I never expected it to add a stop of exposure. I'm not a fan of the alien spacecraft look to the specular highlight, but maybe if I saw it in person on my own monitor I could better appreciate it. Thanks again, Peter!

This is life, harnessing those unique and gifted opportunities and savouring them

A lot of expensive toys, the end result is only soft porn.

0:28 where are the files? Pls.

You can’t beat a good Spanish wine

prety freakin awesome

amazing

you are the best example to illustrate why photography is both art and craftsmanship at the same time 🎉

Great video Peter still have my rb67 keep up the awesome work 😊

101 Red Flags in this for any photographer interacting with a model. You guys played the roles so well it was absolutely CRINGE to watch as a photographer.

Love it.

The relationship that you two have forged is incredible, like father/daughter, brother/sister, lifelong friends, battle buddies. It made me smile from the beginning to the end!! It also is great instruction to a photographer to create a relationship that is fun, beneficial for both model and photographer. I so enjoyed watching you both, Peter you got some great moves and poses!! 🙂

brilliant !

nice vdieo. I liked the video part O:)

very nice, and it makes so much sense :)

Very clever, would not have thought that would work as well as it did. Fantastic and thanks for sharing. Now to get the ETRS out :)

I use your film grain all time. And recently I make them myself (with the mamiya and the analogue back for my H6D) But I have to sent them to a lab, so I have to weet a few day until I see the resuls

Great location !

Amazing tutorial! I don’t see the downloadable grain tiffs on the website. Where can I find them?

cowBec nice video

Many thanks for this new video. @Bec: Many thanks for introducing and closing the video. @Peter: Many thanks for explaining and demonstrating how you produce film-like images, decoupling the Model image itself from the film grain look, that mean to combine advantages of both worlds: digital and film, minimising the impact on the Model availability (no additional effort) and on the photographer activities (no significant effort)

very interesting as always hugs from Brazil

Thank you Peter for reminding me what it is all about!! It's about the image, the right light and making the person look good and feel good about the image!!!

Great idea, thanks for sharing.... 🙂 BM

The head just looks too big for the body. It’s a bit unsettling.

Videos uploaded to youtube about grain are a great way of showing what youtube's compression artifacts look like

I’ve always enjoyed your style of photography, I look up to you as a mentor on how to get into portrait photography I’ve been doing photography since the beginning of 2023 and building my skills and I want to go into your style of photography I’ve started off doing street photography mixing styles but now I want to try something new and different more slow paced. Hopefully one day you can give us a story time on how you started your career very interested on how you got to where you are now today.

Cool but I don't think it works like that. On film there is more grain in the highs than on the shadows. Adding grain over all frame is cooler than digital added grain, but it's still not how it works.

such a col idea. Awsome work Peter!

Legendary sound of Hasselblad 500 c/m! I simply love it...

Thanks for this, Peter. I have no particular allegiance to a brand and I really appreciate seeing what different focal lengths/f-stops/distance to subject actually does for a photo, not what Brand A or B's particular lens does. Tech question: You mentioned that the images were jpegs with no (?) post editing . . . how is it that Ra Ra's eyes seem to "glow". Good genetics and/or proper technique?

Wow, impressive. Love digital tech for it's low cost and flexibility, if you work hard enough at it. Thanks.

I love it! Peter maybe a little offtopic but i been wondering about this for a while. What are the exact words/wording you use when you let the models see the images you made. Like when you did a full shoot and you show the models the images and you want to get some of their input on what they like. I am not sure how to word that to not come across as if they are making the selection. I keep telling them that i do the final selection and that also often means i will pick images that havent said they liked, but how do you tell them that :D

I noticed your using image edge to tether then later use lighroom when editing. you probably know this already but Lightroom recently got an update that now allows native tethering with Sony cameras to work. Before you had to do messing about with plugins and third party apps or use image edge with a watch folder, now you can just use lightroom on its own to tether.

Top draw onnce again. Cheers.

This is super cool !

The best photography education on the web. and we get Bec, too!!

I get grain/noise from my old CCD sensors..

Wow, no more lugging 3+ cameras (and lenses) on shoots. Take your favorite and do post processing for the win! Thanks Peter, what a great tip!! You rock!

Very very beautiful

What a great process! I love shooting film too, but the digital workflow is so much more efficient. I won't do more than 1-3 rolls of film on a shoot, and do the rest on digital. I use SilverFX for the B&W conversion, but overlaying your own film grains is an awesome idea!